International Film Festival Rotterdam In het nieuws

• Feb 09, 2023

Український фільм отримав нагороду на Роттердамському кінофестивалі

• Feb 09, 2023

“I’ve seen so many smiling faces”: Rotterdam wraps an emotional edition

• Feb 09, 2023

阪本順治監督『せかいのおきく』-ロッテルダム国際映画祭にて寛一郎、企画・プロデューサー原田満生と共にワールドプレミア！公式上映レポート到着！

• Feb 09, 2023

ロッテルダム国際映画祭で湯浅政明監督特集　現地ファンから熱心な質問が寄せられる

• Feb 09, 2023

Steve McQueen: Sunshine State

• Feb 09, 2023

Tujuh Film Indonesia Tampil di International Film Festival Rotterdam 2023 di Belanda, Apa Saja Ju...

• Feb 09, 2023

Le formiche di Mida review: eccentric Marxist animism

• Feb 09, 2023

Рецензия на фильм "Одна победа" - корейскую спортивную драму с Сон Кан-хо

• Feb 09, 2023

Ten highlights from the 2023 Rotterdam Film Festival - Little White Lies

• Feb 09, 2023

Er blijft ruimte voor de onaangepaste film bij het IFFR

• Feb 09, 2023

A tranquil yet unsettling portrait

• Feb 09, 2023

You can do these fun things this weekend in Rotterdam (3 – 5 February)

• Feb 09, 2023

Русская школа абьюза

• Feb 06, 2023

Festival de Rotterdam 2023 : notre bilan

• Feb 04, 2023

Two Sri Lankan films recognized at International Film Festival Rotterdam

• Feb 03, 2023

Kurt Orderson to Bring South African Hip-Hop Culture to the Screen With 'Apetown'

• Feb 03, 2023

Manoj Bajpayee Chuffed With Response To 'Joram' At Rotterdam Film Fest

• Feb 03, 2023

'Le Spectre de Boko Haram,' a View of Terrorism Seen Through Children's Eyes, Wins Rotterdam's Ti...

• Feb 03, 2023

International Film Festival Rotterdam 2023: Maryam, Blue Jean, and Four Little Adults - Slant Mag...

• Feb 03, 2023

Family movie review: Poetic minimalism brilliantly used to capture a society sweeping its skeleto...

• Feb 03, 2023

Steve McQueen on His Potent Commission Exploring the History of Blackface

• Feb 02, 2023

Marjan van der Haar over de start van het International Film Festival in Rotterdam

• Feb 02, 2023

Interview With Yusuke Morii: The Film Set Was Like a Playground All the Time

• Feb 01, 2023

Under the Hanging Tree: How Namibia's genocide lives on today