International Film Festival Rotterdam (IFFR) announces the first confirmed titles for its 51st edition which takes place in Rotterdam from 26 January to 6 February 2022. The festival is planned as a physical event that celebrates the reunion of audiences, filmmakers, industry and press with a full festival programme. As IFFR veterans including Apichatpong Weerasethakul and Tan Chui Mui return, there are world premieres for feature debuts by Alberto De Michele and David Easteal. Details of IFFR Pro Days are also confirmed.
Festival director Vanja Kaludjercic: “With huge excitement, we’re announcing the return of our filmmaking community to Rotterdam. This is an opportunity to fully demonstrate the revamped programme structure which we announced last year, but more importantly, it's the chance to finally celebrate the collective experience of cinema again. The programme we’re building for IFFR 2022 will be one worthy of a full return to cinemas and venues in Rotterdam, and this mix of exciting debuts and seasoned come-backs in our first announcement reflects that perfectly. As we move towards the physical return of our festival, we remain determined and ready to adapt to whatever the circumstances require.”
The Limelight lineup of avant-premieres and cinematic highlights from the year’s festival circuit will include Thai director and IFFR-regular Apichatpong Weerasethakul with his Hubert Bals Fund-supported Memoria, which won the Jury Prize at this year’s Cannes Film Festival. Other filmmakers returning with celebrated work include Japanese director Hamaguchi Ryūsuke with Drive My Car, French-Argentine filmmaker Gaspar Noé with Vortex, British director Clio Barnard with Ali & Ava, and Norwegian director Joachim Trier whose The Worst Person in the World won Renate Reinsve the award for Best Actress at Cannes. Also confirmed are Freaks Out by Italian director Gabriele Mainetti, and Audrey Diwan’s Venice Golden Lion winner L'événement from France.
Italian director Fabrizio Ferraro returns to IFFR in the festival’s programme Harbour, home to the broadest range of contemporary cinema found at the festival, which presents the world premiere of his 1944-set drama I morti rimangono con la bocca aperta. Tiger Award-winning Malaysian filmmaker Tan Chui Mui demonstrates her martial arts skills in her most recent film, Barbarian Invasion. Brazilian director Anita Rocha da Silveira is selected for Medusa, a former CineMart project that was awarded the Sebastiane Latino Award for best representing sexual and gender diversity at this year’s San Sebastián International Film Festival. Russia’s Lado Kvataniya is selected for his serial killer film The Execution, and is joined in the lineup by Jordanian filmmaker Bassel Ghandour with his debut feature The Alleys.
The first titles in the Bright Future programme, dedicated to young and emerging film talent, are announced. With a previous selection in the Tiger Short Competition, Dutch-Italian director Alberto De Michele will world-premiere his debut feature The Last Ride of the Wolves, a heist-drama inspired by the life of his father. Spanish director Julián Génisson world-premieres his curiously cheerful Inmotep, as does Australian director David Easteal whose fixed-camera debut feature The Plains is set almost entirely during daily car commutes in suburban Melbourne. Danish director Tea Lindeburg is also selected after she won the Silver Shell for best director at San Sebastián earlier this year for her 19th century-set drama As in Heaven.
Professionals are invited to return to Rotterdam’s ‘de Doelen’ venue for IFFR Pro Days which take place from 30 January to 2 February, encapsulating CineMart, Rotterdam Lab and the Pro Hub. Selected projects and professionals looking to collaborate will participate in CineMart, with one-to-one meetings and informal networking taking place in person.Rotterdam Lab takes place in two parts: an online programme of workshops and masterclasses (24 January to 28 January) in the lead-up to Pro Days, followed by a three-day on-site programme in Rotterdam (31 January to 2 February), where participants will be connected with international professionals and experts. The Pro Hub team will provide connectivity and practical services for selected filmmakers and attending industry.
Follow all our updates on IFFR.com for details of upcoming programme announcements – including Art Directions, Tiger Competition, Big Screen Competition, Cinema Regained, the remaining Limelight, Bright Future and Harbour selections, Short & Mid-length and more. The full IFFR 2022 lineup will be announced during a press conference on 20 December. Registration for press accreditations will open in the afternoon on 3 November. More information regarding industry accreditations will follow shortly.
The health and safety of all visitors remains paramount and IFFR aligns with the guidance of the Netherlands’ Institute for Public Health and Environment (the RIVM) as it plans towards the upcoming edition.
Ali & Ava, Clio Barnard, 2021, UK
Drive My Car, Hamaguchi Ryūsuke, 2021, Japan
L'événement, Audrey Diwan, 2021, France
Freaks Out, Gabriele Mainetti, 2021, Italy/Belgium
Love After Love, Ann Hui, 2020, China
Memoria, Apichatpong Weerasethakul, 2021, Colombia/Thailand/UK
Vortex, Gaspar Noé, 2021, France
The Worst Person in the World, Joachim Trier, 2021, Norway
The Alleys, Bassel Ghandour, 2021, Jordan/Qatar/Egypt
Barbarian Invasion, Tan Chui Mui, 2021, Malaysia/Hong Kong
Il buco, Michelangelo Frammartino, 2021, Italy/Germany/France
The Execution, Lado Kvataniya, 2021, Russia
Kinorama – Beyond the Walls of the Real, Edgar Pêra, 2021, Portugal, international premiere
Let Me Hear It Barefoot, Kudo Riho, 2021, Japan, international premiere
Medea, Alexander Zeldovic, 2021, Russia
Medusa, Anita Rocha da Silveira, 2021, Brazil
I morti rimangono con la bocca aperta, Fabrizio Ferraro, 2022, Italy/Spain, world premiere
On the Job: The Missing 8, Erik Matti, 2021, Philippines
Quién lo impide, Jonás Trueba, 2021, Spain
Tralala, Jean-Marie Larrieu, Arnaud Larrieu, 2021, France
As in Heaven, Tea Lindeburg, 2021, Denmark
Brotherhood, Francesco Montagner , 2021, Czech Republic/Italy
Eles transportan a morte, Helena Girón, Samuel M. Delgado, 2021, Spain
Inmotep, Julián Génisson, 2022, Spain, world premiere
The Last Ride of the Wolves, Alberto De Michele, 2022, Netherlands/Italy , world premiere
The Plains, David Easteal, 2022, Australia, world premiere
Zalava, Arsalan Amiri, 2021, Iran