International Film Festival Rotterdam dans la presse

• Feb 04, 2024

‘The Old Bachelor’: Rotterdam Review

• Feb 04, 2024

Rotterdam Winner Toshihiko Tanaka Talks ‘Rei’

• Feb 04, 2024

'Madame Luna' Review: Human Smuggling Thriller Marks a Surprising Departure - or Return - for 'Ea...

• Feb 03, 2024

‘La Luna’ Director on Making a ‘Sex Comedy,’

• Feb 03, 2024

‘78 Days’ Director Emilija Gasic Will Lift a Curse in ‘Atmospheric and Tense’ Psychological Thril...

• Feb 03, 2024

この場にいられるのは最高の "仲間"のおかげ『莉の対』ロッテルダム国際映画祭で最優秀作品賞受賞！ - シネマカラーズ

• Feb 03, 2024

Rotterdamse curatoren over het IFFR!

• Feb 03, 2024

Japanese debut ‘Rei’ leads Rotterdam winners

• Feb 03, 2024

‘Portrait Of A Certain Orient’: Rotterdam Review

• Feb 03, 2024

Sophia Bösch on her Rotterdam premiere ‘Milk Teeth’: “I try to bring a female experience of the w...

• Feb 03, 2024

How can Dutch films and talent find greater international success?

• Feb 03, 2024

IFFR Short/Mid-length programme: A Man Imagined

• Feb 02, 2024

Hoofdprijs Rotterdams filmfestival voor bedachtzaam Japans debuut

• Feb 02, 2024

Japanse debuutfilm 'Rei' wint Tiger Award op Rotterdams filmfestival

• Feb 02, 2024

Tanaka Toshihiko's 'Rei' Wins Rotterdam Tiger Award, 'Flathead' and 'Kiss Wagon' Take Jury Prizes

• Feb 02, 2024

Rotterdam Winners: Toshihiko Tanaka's 'Rei' & Oktay Baraheni's 'The Old Bachelor' Scoop Top P...

• Feb 02, 2024

Waar komt de griezellegende over de Witte Wieven vandaan?

• Feb 02, 2024

Polish animation ‘Cherub’ triumphs at Rotterdam’s CineMart project market

• Feb 02, 2024

‘Greice’: Rotterdam Review

• Feb 02, 2024

How Can Independent Filmmakers Give Their Movies a Fighting Chance in a Perilous Market?

• Feb 02, 2024

‘The Worst Man In London’: Rotterdam Review

• Feb 02, 2024

Review: Children of War and Peace

• Feb 02, 2024

Review: Journey of Shadows

• Feb 01, 2024

Review: Formosa Beach